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(01/29/99)

"My Mexico"
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Mexico's foremost food writer celebrates the culinary traditions of Campeche
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Wild-eyed expats swap yarns and squander fortunes in Bangkok's Lonestar bar
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Hurricanes and hope in Honduras
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As the storm-battered Central American country rebuilds, dreams take root
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A passion for Pelago
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An unlikely village hosts a Rainbow Gathering meets Burning Man meets rave music festival in Italy
(01/25/99)

  
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The new great place----------

LUANG PRABANG HAS BEEN DISCOVERED -- --------------------------
----------AND ONCE LAID-BACK LAOS WILL NEVER BE THE SAME.

  BY JEFF GREENWALD | Stepping off the plane in Vientiane, Laos, we were greeted by the sort of reception usually reserved for package tourists to Waikiki Beach.

Pre-pubescent girls in native costume rushed up with leis; a troupe of Lao dancers swayed on the tarmac, dancing to musical accompaniment that sounded like a rhapsody composed on a planet inhabited by medieval cats. Press photographers snapped pictures as we accepted free T-shirts, handed out by smiling boys who lined our passage into the arrivals lounge.

"This gives fresh meaning," I said to my companion, "to the phrase 'accidental tourist.'"

The date was Jan. 1. My friend Diane and I, along with a load of other unwitting travelers, had arrived from Bangkok on the maiden flight of "Visit Laos Year 1999-2000."

This "Visit (your country's name here) Year" business is an honor doled out by ASEAN -- the Association of Southeast Asian Nations -- to its member nations. Last year was Thailand's turn; this year, for the first time, Laos (which joined ASEAN in 1997) received the mantel. The hope of this poor and landlocked country, naturally, is to cash in on the millions of dollars in foreign exchange -- much of it from tourist revenue -- that has flowed for decades into Thailand and, more recently, into Cambodia and Vietnam as well.

Long-restricted Laos dropped many of its travel limits in 1994. It now offers a visa on arrival at the airport. And it has launched "Visit Laos Year 1999-2000" on the wings of a tender slogan, a phrase officials clearly hoped would root in the hearts and minds of the waddling Westerners whose shirts and blouses had been permanently stained by the potent botanical oils in their pesky leis: "Laos: My New Love."

- - - - - - - - - - - - - - - - - - - - -

Vientiane, the capital, is almost cosmopolitan; there's an English-language newspaper, a district of tailors and countless lanes lined with shops selling metal tins and carved wooden boxes, cheap jewelry, counterfeit antiques and ethnic minority dolls. French colonial dwellings -- some of them converted to guest houses -- squat in the shadow of gleaming office buildings, and the menus of the French and Italian restaurants around Nam Phu Square list their prices in dollars, not kip.

And there are some glorious wats (Buddhist temples) in the capital. We spent our single sunset in Vientiane at Wat Sisikhet, with its long corridors lined with gesturing Buddhas. Also impressive is Wat Phra Keo, whose signature image -- an Emerald Buddha, presented to Lan Xang ("The Land of a Million Elephants," as Laos was then called) by the king of Ceylon -- was looted by the Thais in 1827, just before they razed the place to the ground. (The image is now in Bangkok's Wat Phra Keo, in the Royal Palace compound.) Still, there are some superb Buddha images at the rebuilt temple: One of them looks a bit like Groucho Marx, another like Mr. Spock, and several reminded me of characters from a Lynda Barry cartoon.

But we did not tarry long in the capital. Our destination was Luang Prabang, a monastic center and former French colonial settlement, situated along the Mekong River.

Diane, a writer and producer who has written for National Geographic and worked on films like "Little Buddha" and "Seven Years in Tibet," lives in Nepal. Expatriates working in Kathmandu are always looking for places to escape to -- places where they can actually breathe. High in the hills, Luang Prabang had recently acquired a reputation as a retreat of choice. From initial reports, we expected something halfway between Shangri-la and classical Indochina: a sylvan enclave where hornbills nest, the mist rises through bamboo groves and the gentle peals of temple bells signal the dawn.

N E X T+P A G E | The slight disappointment of Luang Prabang

 

 

PHOTO © UPI/CORBIS-BETTMANN

 

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