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Pilgrim's passion | page 1, 2

It's striking, too, to see how many of these travelers are moving deliberately backward. They go on foot -- a relative luxury in a time of cars and trains and planes -- and they travel, often, in simple, anonymous robes, with a staff, petitioning, as monks do, for their food and shelter. In an age of flashing screens and jumbo jets, the pilgrim is a traveler into candlelight. And a large part of the discipline he embraces comes in the sloughing off of self -- literally (as when Michael Wolfe becomes just another hajji, generally addressed as Roy Thomas) and metaphorically (as in Barbara Wilson's searing account of how pain and rage in the desert annulled her previous stories of herself). "Abandon self, all ye who enter here" could be the inscription written on the pilgrim's door; Rachel Kadish's powerful memoir reminds us that we travel partially to return to selves we have forgotten, or people we didn't know we were (for worse as much as better).

Of course the pilgrim, like any traveler, is mostly traveling inside herself, to a destination not found on any map. Yet there is a palpable benefit in making the trip physically, on foot: The very feel of stones in Jerusalem, Alane Salierno Mason says, "has a charismatic effect on the whole body," much as, perhaps, the very act of getting down on our knees releases in us a kind of humanity and sweetness. The wonder, the intensity, the electricity of pilgrimage are infectious -- passed on like a holy fever -- and in Michael Wolfe's ecstatic account of making the trip to Makkah, we can feel the fires burning in every pilgrim's heart (if Wolfe had stayed in California, he'd have thought his destination was "Mecca").

Distinctions get buried on the road, and the pilgrim is keeping company with kindred spirits from distant centuries and continents; the first pilgrim to Canterbury, we learn here, walking on his knees, was a king, Henry II, traveling to atone for his execution of Thomas à Becket. Even here in my neighborhood in Japan, when I travel to my local temple I am taken out of the age I know, often, by the sight of yamabushi, or mountain pilgrims, done up in an outlandish shamanic gear of trinkets and cowrie shells and deer skins. The pilgrim moves into a realm of talismans and spells.

In a sense, these powerful souls remind us, all pilgrimage is a trial, and its adherents are tested by the road; the pilgrim is like the hero in some classic fairy tale, asked to perform various deeds of heroism and cunning to prove his love. Except in this case, the person asking is himself. In Japan, when he was growing up, a 90-year-old Zen painter once told me, children were taught to pay for suffering (it is such a privilege, and a catalyst for growth); in our more comfortable cultures, many people have to go abroad, on pilgrimage, to measure themselves against a pain that is reality. The heart of all our faiths is religio, or a rebinding, as the Latin term suggests.

The final thing that hits me, traveling with these contemporary pilgrims, is how fluid and beyond boundaries our pilgrims are today, in a world that's stepping across borders every minute: Gretel Ehrlich, a modern American, treads a Buddhist path in China, just as many Chinese make similar trips of worship to the Holy Land that is America (founded, after all, by pilgrims, and "discovered" by another votary who thought he'd come to India). A Christian learns from Buddhist monks, and agnostics learn from Christians. I, though born a Hindu, have never been to the Hindu holy place of Varanasi -- and yet have been lucky enough, in our mobile world, to sit before Notre Dame and Ayers Rock and the Buddhist caves of Laos. "To study the Way is to study the self," the great Zen teacher Dogen said. "To study the self is to forget the self. To forget the self is to be enlightened by all things. To be thus enlightened is to remove the barriers between one's self and others."

At the end of every pilgrimage, of course, you learn that ends are new beginnings, and that you see only what you brought with you. (Besides, "If you can understand it," as Augustine says, "then it is not God.") The main point of climbing to an icy cave in India, where a sadhu sits, is to realize (as Anne Cushman says) that one might be better off in California; except if one had remained in California, one would have always had unanswered questions about an icy cave in India. In any case, whatever is discovered cannot -- or need not -- be spelled out. "It is in seeking truth that we find enlightenment," the Catholic Father Laurence Freeman writes, "not in declaring it."

Thus the final redeeming beauty of the pilgrimage is that no step on such a trip is wasted, and whatever happens, however difficult, is good. "To seek God is to find him," said Gregory of Nyssa, "to find God is to seek him." Peter Matthiessen travels to Nepal to find the snow leopard and discovers that the main lesson he must learn comes from not finding the animal; Graham Greene goes to Mexico during the time of the persecution of priests and finds his modern savior in a broken, squalid "whisky priest," who forgets himself by reaching out toward the suffering.

And so we go on taking pilgrimages, in part because every discovery, however unlooked-for, is a step forward; but also, more deeply, because every one of us carries around, inside, a certain, unnamed homesickness, a longing for a place we left and don't know how to find again (the vision seen by Meaulnes in the haunting Alain-Fournier novel, the vanished Shangri-La sought by Conway in "Lost Horizon"). If there is a Golden Age behind us, we believe, there may be one ahead of us too. A pilgrim, ultimately, is a traveler moving toward the light, a light she hopes to collect and scatter across her path; where an adventurer may seek out a distant planet, the pilgrim only seeks the sun.

"All the way to heaven," as Catherine of Siena writes, "is heaven."
salon.com | Dec. 15, 1999

 

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About the writer
Reprinted with permission from "Traveling Souls," edited by Brian Bouldrey, published by Whereabouts Press, foreword copyright 1999 by Pico Iyer. Salon Travel Contributing Editor Pico Iyer is the author of "Video Night in Kathmandu," "The Lady and the Monk," "Falling off the Map," "Cuba and the Night" and "Tropical Classical."

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