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Celebrity rehab in the new millennium
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News flash: You're a crackpot | page 1, 2, 3

There is this, too: The publicist is quite beautiful in her navy blue pin-striped jacket, her dark hair spilling past her thoracic vertebrae, her cheeks the color of an Arizona sunrise. Her quick, inviting smile speaks both to the grown-up man who can be counted on to memorialize her every gesture as a sexual encomium and to the inner second-grader who wants nothing more from a woman than to be held tightly and to be told he's a good, good boy. There is a strange and wonderful chemistry between a male journalist and a female publicist something like the bond between a dealer and a junkie. A shared vice binds them, but each believes he or she has the upper hand. The junkie, because there are always more dealers; the dealer, because there are always more junkies.

And each of course is living half a lie. Journalists may live inner lives as Indian scouts, trail bosses, gumshoes and CIA operatives licensed to seek, find and drain our quarry of the precious blood of information. But those who buy and sell the news hold the cards; they buy and sell punks like us every day. They know that when it gets cold outside we want to come inside and sit by the warm light of a good 401(K) plan.




Also Today

Celebrity rehab in the new millennium
The famous will always fall from grace. A far more interesting topic: Whose reputation will be restored?

 


Journalists may want to be priests and soothsayers, but mainly we study the national circuses, fireworks shows and magic acts narrated by the likes of Katie Couric and Matt Lauer, hoping to divine in them some oracular code like the spidery breaks in a lamb's scapula roasted on the Aegean plains. We read our future in the fractures of our brittle national melting pot.

And all the signs indicate that our nation has gone mad with lust for fame.

And yet, while professing high purposes in these things, to earn our money we sing of babies fallen down wells and the untimely deaths of hobo minstrels.

When I was working at a San Francisco weekly some years back, the coked-up producer of a then-obscure but now world-famous rock star called me on the phone and said, "What will it take to get [my boy] on the cover?"

"Five thousand," I said. There was a long pause while he thought it over.

Then there's the joke about the Hollywood press agent who calls the journalist and asks how he can get his client's name in the paper.

"Shoot her," says the journalist.

You want press? Shoot me.

That's the gig.
salon.com | Aug. 28, 1999

 

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About the writer
Cary Tennis is a San Francisco writer. He works as a copy editor at Salon.

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