5
"Roseanne"
was the ultimate show
about motherhood.

At a time when pregnancy was a politically charged issue, working mothers were being demonized by fundamentalists and traditional mothers were being ignored by organized feminism, Roseanne stepped up and made motherhood the central theme of her show. And Roseanne's version of motherhood was a fierce and mighty force that would not be denied. The series was a cycle of pregnancies (Roseanne, Jackie, Dan's father's wife Crystal, Darlene), most of them unplanned. And, fittingly, babies are the focus of Tuesday's one-hour finale, in which Darlene and David bring their daughter Harris home from the hospital (occasioning a final Conner beer-and-pizza blast) and two more impending blessed events are revealed.

With her typical contrariness, Roseanne told the truth about motherhood. It was a miracle and a pain in the ass ("This is why some animals eat their young!" Roseanne shrieked at her squabbling kids in the very first episode); it was a sacrifice (Roseanne was always giving up her basement writing room to some kid who was moving back into the nest) and the ultimate creative act. Most of all, it was a chance for a fresh start. For all Roseanne Conner's crabbing, her identity was bound up in being a mother. She was good at it, despite her own miserable childhood and despite her fear of turning into her own mother, the babbling Bev.

"Roseanne" was the perfect antidote to the bummed-out boomer parents of "thirtysomething," its onetime Tuesday night schedule mate on ABC. Roseanne's full-throttle cackle at the end of the opening credits could have been directed at Hope and Michael and their friends, and their endless worrying about parenthood making them uncool. "You can't be a parent and not be changed by it," Roseanne's cackle says. "Grow up!"

That unrefined honesty will be missed. Roseanne Conner was the toughest mother of them all.
May 19, 1997

"Roseanne" series finale (8 p.m. Tues., May 20, ABC)

Join the discussion on "Roseanne's" final season in Table Talk.


OTHER SALON ARTICLES ON "ROSEANNE"

A Star Implodes By Joyce Millman
No sitcom celebrity has ever been given this much leeway by a network to self-destruct (12/09/96)
TV's blue period By Joyce Millman
Tragedy has become television's turn-on, as the season ends in a blur of heart attacks, homicides and marital strife. (05/20/96)
A complete list of all Salon television articles



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