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ALSO IN SALON: No more magic realism
A young Latin American novelist says no more flying grannies.
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patient:
BY BEN WATT
As compact and intense as a good pop song, "Patient" is a sharply observed record of Watt's illness, capturing perfectly the listlessness, and the relief of sinking into the routine of being cared for, that comes with the territory of being hospitalized for any length of time. "Like a lone diver among sharks, I would watch the cool-eyed doctors and anaesthetists glide round my bed. The doctors on ITU were strange, humorless, intent ... Patient survival was rooted in the minute analysis of charts and the balancing of chemicals, not so much in warmth of human contact, and so the doctors glided from flickering monitor to flickering monitor amid the sonars of bleeps and alarms, gauging, estimating, quiet, serious."
Watt's story has the gravity, the drama, the shivery beauty of an underwater seascape: Moments of terror are balanced with moments of delight. And he doesn't simply retread the tired old turf of describing what it's like to be critically ill. He writes about his personal relationships (particularly with Tracey Thorn, his longtime partner and bandmate), his childhood and his recent past with astonishing humor and grace. "Patient" isn't a woe-is-me book, but a look at how a harrowing ordeal can shape you into something new, a person you never expected to be. When, at the end, Watt finally gets behind the wheel of the red Alfa Spyder he'd ordered before his illness struck, you can't blame him for wanting to floor the gas pedal. You get the feeling that settling for a quiet spin around the block would be the only thing that could kill him.
Stephanie Zacharek lives in Boston. She is a regular contributor to Salon.
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