Navigation Salon Salon Arts & Entertainment email print
.Arts & Entertainment
Books
Comics
Health & Body
Media
Mothers Who Think
News
People
Politics2000
Technology
- Free Software Project
Travel & Food
_______
Columnists

 

- - - - - - - - - - - -

- - - - - - - - - - - -

Search Salon


  
Advanced Search  |  Help

- - - - - - - - - - - -

Recently in Salon Arts & Entertainment

Column
How Sarah got her groove back
In HBO's voyeuristic treat "Sex and the City," Sarah Jessica Parker finally gets a role fit for a comedy goddess.

By Joyce Millman
[06/14/99]


Austin's powers
Falling in and out of love with the International Man of Mystery.

By Lisa Palac
[06/11/99]

Movie Review
"The Red Violin"
François Girard's opulent omnibus plays horribly out of tune.

By Andrew O'Hehir
[06/11/99]

Music Review
Sharps & flats
Have Dr. Evil's corporate toadies stolen the "Austin Powers" soundtrack from Mike Myers?

By Dawn Eden
[06/11/99]

Movie Review
"Austin Powers: The Spy Who Shagged Me"
Dr. Evil and gang party like it's 1969.

By Stephanie Zacharek
[06/11/99]

Complete archives for Arts & Entertainment

- - - - - - - - - - - -

- - - - - - - - - - - -




Geri-rigged | page 1, 2

I think you'd have to be particularly mean-spirited to want Geri Halliwell's solo album to be bad. When someone becomes the object of ridicule that she did, when they seem custom-made fodder for a culture where there's more pleasure taken in proclaiming someone's career over than started, you'd have to be very cynical not to want someone like that to prove herself. Halliwell doesn't disgrace herself on "Schizophonic." It's listenable, will probably spawn a couple of hits, and she'll get by with it. The record hits its highlight on the opening track (also the first single, "Look at Me"), a brassy there's-more-to-me-than-meets-the-eye declaration that has a Vegasy, showgirl boastfulness. Despite a few stray tracks, like the Indian-flavored "Let Me Love You," the rest of the record isn't much fun. Part of the problem is that the producers have tried so hard to make each song sound distinct -- there's the Latin number, the cabaret number, the hip-hop number -- that the record ends up sounding the same, stuck in mid-tempo.

But the biggest problem is that the record has been conceived as Geri Halliwell's proclamation of her own reinvention. It's understandable that, after playing the role of Ginger Spice, Halliwell wants to talk in a normal tone of voice and slip out of the Union Jack drag-queen glad rags. She's been all over the glossies in her new role as roving goodwill ambassador for the United Nations, and all over the women's mags showing off her makeover. The trouble is that musically she's chosen to express this with the kind of inspirational numbers that pop music seems to be drowning in right now. Lyrics like "Walk away this time/with my head held high" are, of course, direct references to leaving the Spice Girls and finding herself a public joke. No doubt it's important to her, but this is pop music as "Oprah" appearance. I'm genuinely glad for Halliwell that she's landed on her feet, but she needs to learn to have as much trashy fun in loafers as she did in those red platform boots.

The sort of cheesy fun that's missing from "Schizophonic" can be found on "Honey to the B," the attempt to out-Britney Britney that is the debut from British teen singer Billie. It's an indefensible piece of teenage pop -- as calculated and plastic as they come. I rather enjoyed it. One thing Billie has going for her is producers who don't seem to have a lot of patience with ballads. They're careful to keep a dance beat behind the numbers, even the slower ones; nobody's out to make a statement here. The one absolutely irresistible piece of candy is "Honey to the Bee," the most shameless piece of Lolita-pop imaginable, and one of the most lascivious pop metaphors since Sheena Easton wiggled her way through Prince's "Sugar Walls" (at one point, I swear Billie sings the lyric "I need that honey drip every hour" as "I need that horny drip every hour" Oh, behave!). There's no subtlety in a song that begins with a teenage girl whispering, "C'mon, buzz me up to heaven, baby," but it does remind you that the season's pleasures aren't all reputable. It's the best compliment you can pay Billie that when you hear "Honey to the Bee," you wonder, "Does her mother know about this?"


salon.com | June 14, 1999

 

- - - - - - - - - - - -

About the writer
Charles Taylor is a Salon contributing writer. His Home Movies video column appears every other Monday in Salon Arts & Entertainment. For more columns by Taylor, visit his column archive.

Sound off
Send us a Letter to the Editor

Send e-mail to Charles Taylor

Related Salon stories
Prefab sprouts: Spice Girls vs. Salt-n-Pepa Why is it that what critics consider unacceptable for white female performers is perfectly OK for black ones?
By Gina Arnold 11/13/97

- - - - - - - - - - - -

Print this story  Get a printer-friendly version

Email this story  E-mail a friend about this article

Backflip This Story  Backflip this article to find it again

- - - - - - - - - - - -

Search Salon


  
Advanced Search  |  Help

 

Salon | Search | Archives | Contact Us | Table Talk | Ad Info

Arts & Entertainment | Books | Comics | Life | News | People
Politics | Sex | Tech & Business | Audio
The Free Software Project | The Movie Page
Letters | Columnists | Salon Plus

Copyright © 2000 Salon.com All rights reserved.