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Steven Spielberg

You can go home again Twenty years after its first release, "E.T." remains the most wondrous of all Hollywood fantasies -- and the apex of Steven Spielberg's misunderstood career.
By Charles Taylor [03/22/02]

Drew Barrymore's revisionist history Spielberg's retrofitting of "E.T." opens the door to an untapped revenue stream that promises a product placement bonanza!
By Chris Colin [01/18/02]

Boy wonder In "A.I." Steven Spielberg gets shown up by a kid. How does Haley Joel Osment understand the movie better than its director does?
By Stephanie Zacharek [07/10/01]

Artificial maturity In "A.I.," Steven Spielberg continues his quest to be a real live adult. He was far greater as a real live boy.
By Charles Taylor [06/29/01]

"The Lost World: Jurassic Park" The digital sound makes the critters even scarier, but no number of dazzling extras can ease the mean-spiritedness of Steven Spielberg's dino sequel.
By David Lazarus [11/13/00]

"Saving Private Ryan" Old home movies show the genesis of Steven Spielberg's sincere but deeply conventional wartime drama.
By Andrew O'Hehir [10/18/00]

"Jaws" Twenty-five years ago, a young director set out to make audiences believe an outlandishly frightening shark tale. They bit.
By Eric Boehlert [07/26/00]

Mission from Mostow The director of the cult thriller "Breakdown," Jonathan Mostow, talks about making a mainstream splash with "U-571."
By Michael Sragow [05/04/00]

Fans hate director picked for Harry Potter film "Home Alone" helmer called "worst kind of hack."
By Laura Miller [03/30/00]

A wizard of Hollywood Steve Kloves, screenwriter for Curtis Hanson's new "Wonder Boys," takes on Hollywood's hottest property -- boy wonder Harry Potter.
By Michael Sragow [02/24/00]

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Complete alphabetical listing of directory topics:
123 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z