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Sharps & Flats Infused with pop culture and heady literary theory, Paul Barman's Ivy League rhymes crackle with clever jokes and silly wit.
By Joseph Patel [02/14/00]

Sharps & Flats Juvenile's rhymes are near idiotic, but the production -- that's another story.
By Andy Battaglia [01/19/00]

Sharps & Flats Suspended between murder and redemption, DMX captures the conflicted soul of a hardcore thug.
By Britt Robson [01/11/00]

Sharps and Flats Nas' career has a Wellesian scale. The rapper's gone from "Kane" to Gallo in five records.
By Joe Gross [01/07/00]

Sharps & Flats Lauryn Hill and Bob Marley, together at last. But what's Aerosmith doing on this shameless collection of posthumous duets?
By Michelle Goldberg [11/23/99]

Sharps & Flats Why listening to Rage Against the Machine is bad for lefty idealism.
By Gavin McNett [11/22/99]

Sharps & flats Thug rapper Eve's assertive female raps would sound even more radical at the top of the charts if the countrified Dixie Chicks weren't telling the exact same stories.
By Jon Dolan [10/04/99]

Sharps & flats Puff Daddy's audacious "Forever" captures a paranoid success spitting in the face of his own demise. Is the Ebenezer Scrooge of rap losing it?
By Jon Dolan [09/16/99]

Sharps & flats Kool Keith is an alien. Kool Keith is Elvis. But why isn't the rapper weird anymore?
By Alex Pappademas [08/20/99]

Sharps & flats Why Limp Bizkit's idiotic rap-metal represents a cresting wave of alt-rock conservatism.
By Jon Dolan [08/05/99]

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