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__ C h a r l e s  a t   F i f t y
ANTHONY HOLDEN | RANDOM HOUSE | NONFICTION | 412 PAGES

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_____________________ CHARLES: VICTIM or VILLAIN?
_____ PENNY JUNOR | HARPERCOLLINS | NONFICTION | 304 PAGES


BY MARY ELIZABETH WILLIAMS | Perhaps the best clue as to how history will regard England's future monarch is to take a look at the opening pages of two new biographies of him. Both begin with him as a supporting player in someone else's drama -- as Charles is roused in the middle of the night to the news that his ex-wife has been in an accident in Paris. It's a defining moment in his life, to be sure, but it's also indicative of a deeper truth. Charles, his chroniclers know, is a man who will always be viewed in the context of his relationship to others, a man whose standing in the public eye depends largely upon somebody else being dead. It has only been through Diana's death that the least popular member of the royal family has enjoyed a measure of warmth and sympathy from his subjects, and it will only be with his mother's passing that he will be able to assume the role he was born to hold. It can't be easy, this perpetual second fiddling. But it does beg the question -- how much, at this stage, is there to say about a man who has lived his life overshadowed by two of the most famous and powerful women in the world? He may be middle-aged, but his life as an autonomous entity is just getting started.

Both Anthony Holden's "Charles at Fifty" and Penny Junor's "Charles: Victim or Villain?" explore with intimate detail the public and private life of the vilified and misunderstood man who will be king. But while both leap to wildly different conclusions about his character, neither offers much of a case that Charles would be a very compelling figure were it not for the fact that his mom gets to wear a tiara at work. The prince is an unlikely poster boy for the boomer generation. He's not, after all, the kind of guy one imagines ever having owned a bong or a copy of "Electric Ladyland." But Anthony Holden, the author of two previous bios of Charles (as well as other works on the royals and Diana), is adept at showing both a sadly removed-from-reality figurehead and a single parent who, like it or not, must one day assume the family business.

N E X T+P A G E | Charles and Diana: Warts-and-all

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The Winners are in! Read Salon's reviews of the 1998 National Book Award winners:
Charming Billy
by Alice McDermott
[ Buy this book at barnesand noble.com ]

Slaves in the Family
by Edward Ball
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