Navigation Salon Salon Books email print
Arts & Entertainment
.Books
Comics
Health & Body
Media
Mothers Who Think
News
People
Politics2000
Technology
- Free Software Project
Travel & Food
_______
Columnists

 

Current
Wire Stories

Click here to read the latest stories from the wires.

- - - - - - - - - - - -

- - - - - - - - - - - -

Also Today

For a full list of today's Salon Books stories, go to the Books home page.

- - - - - - - - - - - -

Search Salon


  
Advanced Search  |  Help

- - - - - - - - - - - -

Recently in Salon Books

Interview
Battle without blood
Michael Ignatieff talks about the poison of nationalism, the politics of fear and the strange future of war.

By Max Garrone
[05/04/00]

Reviews
"Hunts in Dreams" by Tom Drury
A gorgeous, inexplicably sad and funny novel about screwups trying to do better.

By Craig Seligman
[05/03/00]


Not big in Japan
Arthur Golden's American bestseller, "Memoirs of a Geisha," gets a thumbs down from the country where it's set.

By Jennifer Hanawald
[05/03/00]

Dear Mr. Blue
Just friends
After the romance fizzled, we became closer than ever, but I miss the sex and he doesn't seem to. Is there any hope for generating sparks betweeen us?

By Garrison Keillor
[05/02/00]

Reviews
"The Guilt of Nations" by Elazar Barkan
Are reparations the best way to address slavery, genocide and other past evils?

By Jonathan Groner
[05/02/00]

Complete archives for Books

- - - - - - - - - - - -

- - - - - - - - - - - -




book cover



Misha Glenny's "The Balkans" and Michael Ignatieff's "Virtual War"
Behind the bombings in Kosovo, two journalists find Western self-interest and self-deception about the physical sacrifice war requires.

- - - - - - - - - - - -
By Max Garrone

May 4, 2000 |  Journalists may get the first shot at writing history, but most often that means packaging the day's events in a 1,500-word article rather than a sustained consideration of the history and context of current situations. Two important new books on the Balkans, Misha Glenny's "The Balkans" and Michael Ignatieff's "Virtual War," are the products of a fruitful dissatisfaction with these journalistic limits. Both Glenny and Ignatieff have already written books on the struggles in the Balkans and ethnic nationalism in the post-Cold War era. Their latest efforts share a desire to dispel the myth that the Balkans are destined to continue an endless cycle of revenge -- something that traditional journalistic accounts did much to further, with their repetition of Serbian propaganda, misinformation and the easily digestible conclusion that the conflict was motivated by intractable ethnic hatreds.

Glenny's book is a scholarly history. He's no longer telling the story of the day, but digging into all the stories that built a place, and to his credit it's no simple teleology. Ignatieff charts a far different course by examining the recent NATO bombing of Kosovo through his own experiences there. In the process, he investigates the status of foreign intervention and the post-Cold War order.



The Balkans: Nationalism, War and the Great Powers, 1804-1999

By Misha Glenny
Viking,
662 pages
Nonfiction


Virtual War: Kosovo and Beyond

By Michael Ignatieff
Metropolitan Books,
215 pages
Nonfiction


Also Today

Battle without blood
Michael Ignatieff talks about the poison of nationalism, the politics of fear and the strange future of war.
By Max Garrone


Glenny, who covered the Balkans from the beginning of the conflict as a correspondent for the BBC, wrote in 1991 that Yugoslavia's leaders "were stirring a cauldron of blood that would soon boil over." As he recounts in "The Balkans," "My superiors reprimanded me for the piece on the grounds that it was 'alarmist.' This was the end of the 20th century, not the beginning, they told me, and there would be no war in the Balkans. When it came, news editors unfamiliar with the Balkans were surprised by the return of the Bosnian Question ... politicians were completely unprepared."

Yet "The Balkans" is an intentional move away from reading history as foreshadowing. "It has been my firm intention," Glenny writes in his introduction, "to avoid reading or refracting Balkan history through the prism of the 1990s." In the Balkans' history he sees foreign powers struggling among themselves, blindly using the region's ethnicities and borders as pawns in a titanic struggle for influence: "Consistently and conspicuously absent from Western reflections on the Balkans since the latter half of the 19th century has been any consideration of the impact of the West itself on the region."

Glenny positions the past 200 years of Balkan history as a fundamentally modern struggle over the collapse of the great empires and the birth of nation-states. Referring to a 19th century conflict between Slavs on the Hungarian border, he insists that it was not, in the now clichéd phrase, "an explosion of ancient tribal hatreds": "This was a modern conflict, triggered by imperial collapse and the nationalist rivalry." Glenny may not want his book read through the spectacles of the 1990s, but it's an inevitable consideration -- partly because it seems clear he was motivated by the events of the 1990s to write this book in the first place, but also because the secession of Slovenia, Croatia and Bosnia from Yugoslavia in 1991 represented a culmination of everything that he describes in the rest of the book.

Ignatieff mines the recent Kosovo conflict for insights into the future of Western foreign policy and wars, especially those motivated by humanitarian impulses. He's a gifted reporter whose strength is putting readers in the middle of the action, giving them a great sense of the immediacy and complexity of history in motion. Ignatieff accompanied U.S. diplomat Richard Holbrooke as he shuttled around the Balkans before the war, then picked through the war's aftermath in interviews with former NATO commander Gen. Wesley Clark and Louise Arbour, at the time the chief prosecutor for the U.N. International Criminal Tribunal for the former Yugoslavia.

Ignatieff quotes American diplomat Chris Hill as saying, "Can you believe that we are still trying to liquidate the Ottoman Empire?" But Ignatieff sees the bombing and subsequent occupation of Kosovo by international peacekeepers as much more: the first major test in the post-Cold War era of the West's developing consensus that humanitarian intervention is a legitimate and desirable aim of foreign policy. He describes a dramatic failure characterized by the distance of combatants from their targets and their humanitarian goals, a situation he characterizes as a "virtual war."

While he thinks that intervention should occur in cases like Kosovo, Ignatieff is most worried that we'll see war as "a surgical scalpel" and wrap ourselves in "fables of self-righteous invulnerability," rather than face up to the fact that acting for ideals requires hard physical sacrifice. Ignatieff questions the justness of such a war: "War ceases to be just when it becomes a turkey shoot." To an uncomfortable degree, he feels, "America and its NATO allies fought a virtual war because they were neither ready nor willing to fight a real one."

The international community's ambivalence toward the Balkans, of course, mirrors what has happened in other recent conflicts, such as those in Rwanda, Somalia and the Democratic Republic of the Congo. Ignatieff uses Kosovo as a test case for the possibility of resolving moral and political issues within a new global framework. Looking at how the changing nature of war and international diplomacy responds to new philosophical and moral crises, he finds a general motivation to help others in need but seldom a clear sense of what that might entail. While he describes Holbrooke's motivation as "a simple gut conviction: that the Americans are the only people capable of replacing the Ottomans and Austro-Hungarians -- the only people with the character required for an imperial vocation," Ignatieff also shows that a commitment to support those ambitions with financial and human resources is clearly lacking.

Glenny's book is sweeping and grand, and it's a needed resource for understanding the Balkans, but 662 pages of solid history isn't for everyone. Ignatieff's book is more approachable -- it's much shorter and written in a personable style. But both succeed on the terms they've set for themselves, providing excellent examples of why journalists need to write books that clothe their daily reporting in the context of the past and the larger issues that inform the present.
salon.com | May 4, 2000

 

- - - - - - - - - - - -

About the writer
Max Garrone is an editor for Salon News.

Table Talk
Worth owning in hardcover? Destined to be a classic? Talk about your favorite new book.

Sound off
Send us a Letter to the Editor

Send e-mail to Max Garrone

Related Salon stories
War in Yugoslavia The Balkans crisis through Salon's lens.
02/22/00

- - - - - - - - - - - -

Print this story  Get a printer-friendly version

Email this story  E-mail a friend about this article

Backflip This Story  Backflip this article to find it again

- - - - - - - - - - - -

Search Salon


  
Advanced Search  |  Help



Salon | Search | Archives | Contact Us | Table Talk | Ad Info

Arts & Entertainment | Books | Comics | Life | News | People
Politics | Sex | Tech & Business | Audio
The Free Software Project | The Movie Page
Letters | Columnists | Salon Plus

Copyright © 2000 Salon.com All rights reserved.