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Editor's note: The National Book Critics Circle met in New York this week to present its annual awards, which went to Jonathan Lethem (in the fiction category) for "Motherless Brooklyn"; Jonathan Weiner (general nonfiction) for "Time, Love, Memory: A Great Biologist and His Quest for the Origins of Behavior"; Ruth Stone (poetry) for "Ordinary Words"; the late Jorge Luis Borges (criticism) for "Selected Non-Fictions"; Henry Wiencek (biography) for "The Hairstons: An American Family in Black and White"; and Benjamin Schwartz, for excellence in reviewing. In addition, the NBCC presented two lifetime achievement awards: to San Francisco poet and publisher Lawrence Ferlinghetti and to film critic Pauline Kael. Since Kael was too frail to attend the ceremony herself, she sent her friend Roy Blount Jr. as an emissary, with the following speech in his pocket.
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March 16, 2000 | Writing about movies, you don't have to treat them all respectfully. Your job is to sort out the rare great from the adequate and the frequent appalling. In the process you can pep up what you're doing by letting go with a little savagery. You can treat bum work as a hanging offense. You can even crack a joke about it now and then. Even mediocre pop art is a lot more fun than failed high art, and it's more fun to write about. In the last few years a number of prominent journalists have suggested that movies are finished. They argue that people will stop going because the highly touted ones are often disappointing, or worse. They're wrong, I think. They are assuming that people are rational about going to movies, and we're not. It isn't just publicity that turns us into suckers; we turn ourselves into suckers -- we want to see a movie. I've had a bewilderingly wonderful time writing about that urge; I hope I've shared some of the pleasure I've felt with readers. This award encourages me to believe I have. Thank you.
- - - - - - - - - - - - Table Talk Sound off Related Salon stories A gift for effrontery Brash, jazzy and passionately idiosyncratic, Pauline Kael set the standard for American movie criticism.
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