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"Ravelstein" by Saul Bellow
The Nobel laureate offers a fictional portrait of his gay friend Allan Bloom -- and of the erotic fulfillment he himself found late in life.

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By Andrew O'Hehir
[04/13/00]

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Five poems to make you swoon | page 1, 2

Get This
from "Once I Gazed at You in Wonder"
By Jan Heller Levi
Louisiana State University Press, 96 pages

I did not get this from any book
I got this from cornfields washed out, waved out under racing moon
splitting like brain
Right side right side right side
Left side left side left side



Also Today

Fools for love
In a new book, some great poets admit their humble, schmaltzy, love-struck poetic beginnings.
By Melanie Rehak


I did not get this from any book
but from tongue of dog
wide, pink as my tongue
long as I live lick lasts
and love is something brown-eyed, drowsy

I got this from sleep, I got this from waking
I would have traded for sleep, waking
long after nights of purpled sky
nippled with clouds

I did not get this from any book
I got this on trust and betrayal, I got this on trust
I got this on trust funds
on loan
with interest
I got this from inhale inhale inhale
exhale exhale exhale

I did not get this from blood, blood
means nothing, I did not get this from nature
or nurture, I did not get this from any book

I got this from mind that muscles
outmuscles heart
I got this from hangnail
from hangman
from hanging above a rushing river
this bank roaring
that bank roaring

I got this from mushrooms, I got this from sitting at the table
late later later and still I would not eat

I got this from leaves and spine
I got this from stranger who said I want
to take your picture, come here, come
back here,
drop your blouse from your shoulder lower a little lower a little lower

I got this from necklines
standing on lines, sign on the dotted lines
I got this from scissors
but I was always losing the scissors
I got this from A my name is
B my name is
I got this from scissors but I was always losing the scissors
I got this from rock, I got this from rock
and roll all the world over so easy to see people everywhere just gotta be

I got this from paper, please listen to me
but I did not get this from any book
understand me now I did not get this from any book
I got this from light on the books at 1, 2, 3 in the morning
the whole house so quiet it could have been dead
I could have been the only one even trying to live but I did
not get this from any book

even when I danced at 4 in the morning
even when I wept at 5 in the morning
even when I danced, even when I wept
look, here's the path traveled from eye to mouth first tear
second tear

call a life an open book I did not get this from any book
call a life a closed book I did not get this from any book
call may God inscribe your name in the book of life
I did not get this from any book come into my library
said the spider to the fly
open any book
it will tell you I did not get this from it
even if I burn it I will have this
even if I burn it
even if I burn


Meditation on Song and Structure
from "Negative Blue: Selected Later Poems"
By Charles Wright
Farrar, Straus & Giroux, 224 pages

I love to wake to the coo coo of the mourning dove
At dawn --
like one drug masking another's ill effects,
It tells me that everything's all right when I know that everything's wrong.
It lays out the landscape's hash marks,

the structures of everyday.

It makes what's darkened unworkable
For that moment, and that, as someone once said, is grace.
But this bird's a different story.

Dawn in the Umbrian hills.
In the cracks of the persian blinds, slim ingots of daylight stack and drip.
This bird has something to say --

a watery kind of music,

Extended improvisations, liquid riffs and breaks --
But not to me, pulled like a dead weight
From the riptide of sleep, not to me,
Depression's darling, history's hand job, not to me ...

---------

Twice, now, I've heard the nightingale.

First in the first light

Of a dust-grey dawn,
And then at midnight, a week later,
Walking my friend to the parking lot
In Todi, moon vamping behind the silted cloud mounds,
A pentimento of sudden illumination,
Like bird work or spider work.
Senti, my friend said, Shhh,

El'usignolo, the nightingale,
As bird and bird song drifted downhill,

easy as watershine,

Ripply and rock-run.
Silence. No moon, no motorbike, no bird.
The silence of something come and something gone away.
Nightingale, ghost bird, ghost song,
Hand that needles and threads the night together,
light a candle for me.

---------

Swallows over the battlements

and thigh-moulded red tile roofs,

Square crenelations, Guelph town.
Swallows against the enfrescoed backdrop of tilled hills
Like tiny sharks in the tinted air
That buoys them like a tide,
arrested, water-colored surge.

Swallows darting like fish through the alabaster air,
Cleansing the cleanliness, feeding on seen and unseen.

To come back as one of them!
Loose in the light and landscape shine,

language without words,

Ineffable part of the painting and ignorant of it,
Pulled by the lunar landswell,
Demi-denizen of the godhead
Spread like a golden tablecloth wherever you turn --
Such judgement, such sweet witch-work.

---------

This mockingbird's got his chops.
Bird song over black water --
Am I south or north of my own death,

west or east of my final hurt?

In North Carolina, half a century ago,
Bird song over black water,
Lake Llewellyn Bibled and night-colored,
mockingbird
Soul-throated, like light, a little light in great darkness.

Zodiac damped, then clicked off,

cloud-covering-heaven.

Bird song over black water.
I remember the way the song contained many songs,
As it does now, the same song
Over the tide pool of my neighbor's yard, and mine's slack turning,
Many songs, a season's worth,
Many voices, a light to lead back
to silence, sound of the first voice.

---------

Medieval, prelatic, why
Does the male cardinal sing that song omit, omit,
From the eminence of the gum tree?
What is it he knows,

silence, omit, omit, silence,

The afternoon breaking away in little pieces,
Siren's squeal from the bypass,
The void's tattoo, Nothing Matters,
mottoed across our white hearts?

Nature abhors originality, according to Cioran.
Landscape desires it, I say,
The back yard unloading its cargo of solitudes
Into the backwash of last light --
Cardinal, exhale my sins,

help me to lie low and leave out,

Remind me that vision is singular, that excess
Is regress, that more than enough is too much, that
compression is all.


salon.com | April 14, 2000

 

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